Understanding Zohran Mamdani's Style Choice: What His Suit Reveals Regarding Modern Manhood and a Changing Society.
Coming of age in the British capital during the 2000s, I was always surrounded by suits. They adorned City financiers rushing through the financial district. You could spot them on dads in the city's great park, kicking footballs in the evening light. Even school, a cheap grey suit was our required uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling authority and performance—qualities I was expected to aspire to to become a "man". However, before lately, people my age appeared to wear them less and less, and they had all but disappeared from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony dressed in a subdued black overcoat, pristine white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captured the world's imagination like no other recent contender for city hall. Yet whether he was celebrating in a music venue or attending a film premiere, one thing was largely constant: he was frequently in a suit. Loosely tailored, contemporary with unstructured lines, yet traditional, his is a typically professional millennial suit—well, as typical as it can be for a cohort that seldom chooses to wear one.
"The suit is in this strange position," says men's fashion writer Derek Guy. "It's been dying a slow death since the end of the second world war," with the significant drop coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal settings: marriages, memorials, to some extent, legal proceedings," Guy states. "It's sort of like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from daily life." Numerous politicians "don this attire to say: 'I represent a politician, you can have faith in me. You should vote for me. I have authority.'" Although the suit has historically signaled this, today it enacts authority in the attempt of winning public trust. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it enacts manliness, authority and even closeness to power.
This analysis stayed with me. On the infrequent times I need a suit—for a wedding or black-tie event—I retrieve the one I bought from a Tokyo retailer a few years ago. When I first selected it, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I imagine this feeling will be only too familiar for many of us in the global community whose families come from other places, especially developing countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can thus define an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a significant investment for something likely to be out of fashion within a few seasons. Yet the attraction, at least in certain circles, endures: recently, department stores report tailoring sales increasing more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something special."
The Politics of a Accessible Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a moderate price bracket. "He is precisely a product of his upbringing," says Guy. "A relatively young person, he's neither poor nor exceptionally wealthy." To that end, his moderately-priced suit will appeal to the group most inclined to support him: people in their 30s and 40s, university-educated earning professional incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his stated policies—such as a rent freeze, building affordable homes, and fare-free public buses.
"It's impossible to imagine Donald Trump wearing this brand; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and was raised in that property development world. A power suit fits naturally with that tycoon class, just as more accessible brands fit well with Mamdani's constituency."
The history of suits in politics is long and storied: from a former president's "controversial" tan suit to other national figures and their suspiciously polished, tailored sheen. Like a certain British politician discovered, the suit doesn't just clothe the politician; it has the power to characterize them.
Performance of Normality and Protective Armor
Perhaps the point is what one scholar refers to the "enactment of ordinariness", invoking the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a studied understatement, neither shabby nor showy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. However, experts think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't neutral; scholars have long pointed out that its modern roots lie in military or colonial administration." Some also view it as a form of defensive shield: "It is argued that if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might question it.
Such sartorial "changing styles" is not a new phenomenon. Even iconic figures previously wore three-piece suits during their formative years. These days, other world leaders have started exchanging their usual military wear for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's image, the struggle between belonging and otherness is visible."
The attire Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under scrutiny to meet what many American voters look for as a sign of leadership," notes one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure selling out his non-mainstream roots and values."
But there is an sharp awareness of the double standards applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, able to assume different personas to fit the situation, but it may also be part of his diverse background, where code-switching between cultures, customs and clothing styles is typical," commentators note. "White males can go unnoticed," but when women and ethnic minorities "seek to gain the authority that suits represent," they must carefully negotiate the codes associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, insider and outsider, is visible. I know well the awkwardness of trying to conform to something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, appearance is never neutral.